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The magic and mysteries
of the mediaeval times
When CARMINA BURANA OPEN AIR OPERA was presented to the audience for the first
time in 1995, a storm of enthusiasm arose. As never before, high culture and
entertainment were combined to create an overwhelming complete audiovisual
piece of art.
Carl Orff (1895 - 1982) used a Latin chronic from the Bavarian monestary
"Benediktbeuren"as a model text for his most popular work. In Walter Haupt's
production the stirring sound characteristics bloom into a mediaeval garden
of lust which abducts the audience to a foreign, sensual world of phantasy.
24 magical pictures tell a story of love and death, fortune and misfortune, appearing and fading under the eternally turning "wheel of life".
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